atlantic records vice president of a&r

atlantic records vice president of a&r

The sale of Atlantic Records activated a clause in the distribution agreement with Stax Records calling for renegotiation of the distribution deal and at this point, the Stax partners discovered that the deal gave Atlantic ownership of all the Stax recordings Atlantic distributed. In 1967, Atlantic became a wholly owned subsidiary of Warner Bros.-Seven Arts, now the Warner Music Group, and expanded into rock and pop music with releases by Crosby, Stills, Nash & Young, Led Zeppelin, and Yes. [2] Craig Kallman is the chairman of Atlantic. Among its acts were the post-Curtis Mayfield Impressions, Slave, Brook Benton, Jean Knight, Mass Production, Sister Sledge, The Velvet Underground, Stacy Lattisaw, Lou Donaldson, Mylon LeFevre, Stevie Woods, Johnny Gill, Emerson, Lake & Palmer, Garland Green, The Dynamics, The Fabulous Counts, and The Fatback Band. Sadi Koylan. Greenberg was then signing artists and overseeing the company on a daily basis. 7, selling over one million copies and becoming the bestselling song of the year for Decca. 1 on the Billboard R&B chart. In its tenth anniversary feature on Atlantic, Billboard noted, " a very big R&B record might achieve 250,000 sales, but from this point on (195354), the industry began to see million sellers, one after the other, in the R&B field". Atlantic Business Interiors offers a vast array of office furniture and equipment, and combine that with an in-depth knowledge of workplace layout and ergonomics to ensure you make the most of your office space and give your workforce the best work . Look Smart Article[permanent dead link] Lance Gross Dallas Martin, the Atlantic Records A&R executive whose successes include records by Roddy Ricch and Meek Mill, has been promoted to executive vice president of A&R at. "[77] The released version of "Follow You, Follow Me" gave Genesis their first hit single in the US, the album became their first American gold record, and the experience resulted in Ertegun and Collins becoming close friends. After buying Elektra Records and its sister label Nonesuch Records in 1970, Kinney combined the operations of all of its record labels under a new holding company, WEA, and also known as Warner Music Group. [49], Atlantic tolerated Spector but with diminishing returns. In 1968 the label issued History of Rhythm and Blues, Volume 4 in stereo. [16] Early releases included music by Sidney Bechet, Barney Bigard, The Cardinals, The Clovers, Frank Culley, The Delta Rhythm Boys, Erroll Garner, Dizzy Gillespie, Tiny Grimes, Al Hibbler, Earl Hines, Johnny Hodges, Jackie & Roy, Lead Belly, Meade Lux Lewis, Professor Longhair, Shelly Manne, Howard McGhee, Mabel Mercer, James Moody, Joe Morris, Art Pepper, Django Reinhardt, Pete Rugolo, Pee Wee Russell, Bobby Short, Sylvia Syms, Billy Taylor, Sonny Terry, Big Joe Turner, Jimmy Yancey, Sarah Vaughan, Mal Waldron, and Mary Lou Williams. As Executive Vice President of the label since 2013, she has been the driving force behind radio hits by Meek Mill, Cardi B, Bruno Mars, Lil Uzi Vert and Gucci Mane to name a few. I posted something on my Instagram asking my followers to tag interesting locals. The trio's unique vocal chemistry was instantly apparent, so when Nash quit the Hollies in August 1968 and relocated to Los Angeles, the three immediately formed a trio, Crosby, Stills & Nash. 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In 1964 they approached Jerry Wexler and proposed a merger with Atlantic. He soon stopped when RCA signed Elvis Presley. Wexler contacted the co-owner of Satellite, Jim Stewart, who agreed to lease the record to Atlantic for $1000 plus a small royaltythe first money the label had ever made. 1K followers 500+ connections. Keefa Black. 9), "Respect" (Soul and Pop No. Atlantic Records President of Promotion Andrea Ganis Looks Back, and Ahead, at Her Legendary Career By Jem Aswad Courtesy of andrea ganis Few music industry vets approach the level of royalty. By the age of eighteen, Greenberg already had his own record label, called Green-Sea Records. Passengers on the new route will travel aboard Boeing 787-9 Dreamliner aircraft configured . MTB presented Bring Back the Music every Wednesday night at the Hilton Hotel (now Westgate) in Las Vegas. Orlando Wharton is a Senior VP of A&R at Atlantic Records and he is a Jersey City Native. 1 pop hit. [52], Atlantic was doing so well in early 1959 that some scheduled releases were held back, and the company enjoyed two successive months of gross sales of over $1 million that summer, thanks to hits by The Coasters, The Drifters, LaVern Baker, Ray Charles, Bobby Darin, and Clyde McPhatter. Abramson also produced "Magic Records", children's records with four grooves on each side, each groove containing a different story, so the story played would be determined by the groove in which the stylus happened to land. MTB handled tribute bands Led Zepagain (Led Zeppelin tribute band), Rolling the Stones (The Rolling Stones tribute band), ABBACADABRA (ABBA tribute band), Bonfire (AC/DC tribute band), Bella Donna (Stevie Nicks tribute band), The Long Run (Eagles tribute band), Fan Halen (Van Halen tribute band) and others. Brown recorded more than eighty songs for Atlantic, becoming its bestselling, most prolific musician of the period. The trio was formed following a chance meeting between members of three leading 1960s pop groups Stephen Stills, David Crosby of The Byrds and Graham Nash of The Hollies. [13] In its early years, Atlantic concentrated on modern jazz[11][14][3] although it released some country and western and spoken word recordings. The overall enormity of this song changed that. Cotillion's catalog quickly expanded to include progressive rock, folk-rock, gospel, jazz and comedy. A few weeks later Brown's "Teardrops from My Eyes" became its first million-selling record. [9] When interviewed in 2009, she attributed her reputation to the company's chronic cash-flow shortage: " most of the problems we had with artists were that they wanted advances, and that was very difficult for us we were undercapitalized for a long time. Org Chart - Atlantic Records. Harry Anger and Arnie Geller mentored me during my Polydor days, but ultimately it was Doug Morris who really taught me the business, she says of the longtime Atlantic president who became the only person to be CEO of all three major label groups. 1, Pop No. He initially worked for Atlantic on a freelance basis, but within a few years he had been hired as the label's full-time staff engineer. "Dream Lover" reached No. [26] He had been living in Los Angeles for several years and had intermittent contact with his younger brother. 21 albums were released simultaneously in 1965,[45][46] all of them shown on the back cover of their releases. 1, Pop No. In 1968 Peter Grant flew to New York with tapes of the debut album by British rock band Led Zeppelin. [6] He convinced the family dentist, Dr. Vahdi Sabit, to invest $10,000 and hired Herb Abramson, a dentistry student. In 1956 he started the '8000' popular series (selling for $3.98) for the label's few R&B albums, reserving the 1200 series for jazz. He currently sits on this Board as the Chairman of the Compensation Committee. The ideal candidate will develop new . white) audience. [2], In 2006, the label denied "Weird Al" Yankovic permission to release "You're Pitiful", a parody of James Blunt's "You're Beautiful", despite Blunt's approval. [17] Atlantic's fortunes rose rapidly: 187 songs were recorded in 1949, more than three times the amount from the previous two years, and received overtures for a manufacturing and distribution deal with Columbia, which would pay Atlantic a 3% royalty on every copy sold. [70] Other releases that year include albums by Aretha Franklin (Soul '69), Led Zeppelin (Led Zeppelin), Don Covay (House of Blue Lights), Boz Scaggs (Boz Scaggs), Roberta Flack (First Take), Wilson Pickett (Hey Jude), Mott the Hoople (Mott the Hoople), and Black Pearl (Black Pearl).[70]. 1980 - Jerry Greenberg becomes a consultant to Atlantic while forming his own label with his brother, Bob Greenberg, called Mirage Music; Jerry remained on the East Coast, Bob on the West Coast. For five years Atlantic "dominated the rhythm and blues chart with its roster of powerhouse artists". 1 on the R&B chart and No. Spector became one of the most successful record producers of the 1960s. Wexler disliked him. It was groundbreaking., And although she may have blazed a trail as a female executive in the male-dominated world of promotion, for her its all about team success over individual success, in service of the artists. Leiber, Stoller, Goldner, and Wexler suggested their plan to Ertegun at a lunch meeting at the Plaza Hotel in New York. The market for these records exploded during late 1953 and early 1954 as R&B hits crossed over to the mainstream (i.e. Despite the huge success Atlantic was enjoying with its own artists and through its deal with Stax, by 1967 Jerry Wexler was seriously concerned about the disintegration of the old order of independent record companies and, fearing for the label's future, he began agitating for it to be sold to a larger company. The song sold 100,000 copies in the first month and became a million-seller. He was named Atlantic Senior Vice President of A&R in 2020. By Murray Stassen. Ertegun asked about artists' royalties, which he paid, and this surprised Columbia executives, who did not, and the deal was scuttled. He started his career in the music business as a drummer in the band "Jerry Green and The Passengers" which he founded. [71][pageneeded] With Ertegun's power at Warners now secure, Atlantic was able to maintain autonomy through the parent company reorganizations and continue to do their own marketing, while WEA handled distribution. The result was seven consecutive singles that made both the US Pop and Soul Top 10: "I Never Loved a Man (The Way I Love You)" (Soul No. [65] Atlantic continues to hold the rights to Stax recordings it distributed in the 1960s. 1957 - Gerald L. Greenberg from New Haven, CT formed his own band. [86], Although master tapes of the material in Atlantic's released back catalog survived due to being stored in New York, the fire destroyed or damaged an estimated 5,0006,000 reels of tape, including virtually all of the company's unreleased master tapes, alternative takes, rehearsal tapes and session multi-tracks recorded between 1948 and 1969. He had recommended moving the company's multitracks and unreleased recordings to the building after Ertegun had complained about the aforementioned tapes taking up too much space in the company's Manhattan offices in New York. [29] In 1951, Atlantic was one of the first independent labels to press records in the 45rpm single format. The first song Wexler produced with Burke was "Just Out of Reach", which became a big hit in September 1961. Bill Haley & His Comets's version reached No. By 1956 the 45 had surpassed the 78 in sales for singles. Blog http . In 1966 Atlantic signed a licensing deal with Polydor which included the band Cream, whose debut album was released by Atco in 1966. [81] They released his fourth solo album (a.k.a. Fate intervened during the Hollies US tour, when Nash reunited with Crosby and met Stephen Stills (ex-Buffalo Springfield) at a party at the Los Angeles home of Cass Elliott in July 1968. Kalodner was overseeing the recording of Collins' solo album while Atlantic were vacillating about signing the band and Collins, but it was at this point that Kalodner was abruptly dismissed from Atlantic, although he was almost immediately recruited to head the A&R division at the newly formed Geffen Records. Darin returned to Atlantic in 1965. [5], In early 1949, a New Orleans distributor phoned Ertegun to obtain Stick McGhee's "Drinking Wine, Spo-Dee-O-Dee", which was unavailable due to the closing of McGhee's previous label, Harlem Records. In September 1947, he sold his share in Jubilee to his partner, Jerry Blaine, and invested $2,500 in Atlantic. Following his departure, Ertegunwho had previously taken little interest in Atlantic's business affairstook decisive control of the label[66] and quickly became a major force in the expanding Warner music group. She was injured in a car accident en route to New York City, but Atlantic supported her for nine months and then signed her. [31] Ertegun and Wexler realized many R&B recordings by black musicians were being covered by white performers, often with greater chart success. Ryan Brady, a VP at Atlantic Records and a host of the Take It Away podcast, has died in a car accident at the age of 34. After surprisingly failing their audition for Apple Records, thanks to Ertegun's intervention and intense negotiations with David Geffen, who represented Crosby and Nash, as well as Stills,[75] they ultimately signed with Atlantic, who gave them virtually complete freedom to record their first album. He signed with Capitol and moved for Hollywood to attempt a movie career, but hits such as "You Must Have Been a Beautiful Baby" and "Things" continued to benefit Atco through 1962. "[19] She rose to fame quickly and was called the Queen of Soul. Within the first two weeks, The Box went from 33 million to 60 million streams. By 1956 the 45 had surpassed the 78 in sales for singles. My early years began with the Rolling Stones, Bette Midler, Abba, AC/DC, Led Zeppelin, Genesis, Phil Collins, U2, Stevie Nicks and so many more, including songs that I forgot I promoted until I hear them in a store and point up and say, I worked that record!. [26], Nesuhi was also in charge of LP production. Atlantic Records is part of the Media & Internet industry, and located in New York, United States. The Vice President of Student Records and College Registrar provides the statewide vision and leadership for the student records enterprise at Ivy Tech Community College. 2 after spending almost six months on the Billboard R&B chart although McGhee himself earned just $10 for the session. "[58], The deal to distribute Satellite's "Last Night" by The Mar-Keys on the Satellite label marked the first time Atlantic began marketing outside tracks on a non-Atlantic label. 5), and "Think" (Soul No. 5 on the Billboard Hot 100. First and foremost is the music itself, and then the strategy created to expose it.. Few music industry vets approach the level of royalty in the radio world that Andrea Ganis, Varietys Hitbreaker of the Year, inhabits. [24][25], Atlantic was one of the first independent labels to make recordings in stereo: Dowd used a portable stereo recorder which ran simultaneously with the studio's existing mono recorder. 1988 - Greenberg was asked to return to Atlantic Records as President of Atco Records, which was Atlantic's other label based in California. Ertegun denied this was intentional. Much of this was due to Kalodner, who later admitted that, as soon as Gabriel was dropped from Atlantic, he realized he had made a mistake. Leiber and Stoller also wrote the hit "Ruby Baby" for The Drifters. Two members of The Robins formed The Coasters and recorded hits for Atlantic, such as "Down in Mexico" and "Young Blood". "The Salty Socking Soul of Lotti Golden". So significant was Brown's success to Atlantic that the label became known colloquially as "The House That Ruth Built". Although Leiber considered dropping the matter, Stoller pressed Atlantic for payment. In addition, Mirage opened a subsidiary office in Jamaica with Stacy Greenberg as General Manager and an office in Las Vegas, NV. 3 in September 1952, and "Mama, He Treats Your Daughter Mean" with Connie Kay on drums reached No. Ahmet Ertegun had first seen them perform in the Midwest on one of their early American tours, and it was on this occasion that he also became an ardent fan of their drummer/vocalist, Phil Collins. 1 in February and March 1953. I'm signing you today". Once there, he continued to sign major artists, including Michel'le and JJ Fad, produced by Dr. Dre and Eazy-E. February 4, 2011 2:39am. At this same time, Genesis' contract with Atlantic was up for renewal, and Collins was yet to sign as a solo artist. Atlantic Group is representing a privately held investment firm serving some of the world's most influential families and organizations. He started his career in the music business as a drummer in the band "Jerry Green and The Passengers" which he founded. The first restaurant opened in June 2005 in Las Vegas, across from the Hard Rock Hotel. He had more hits than George Martin and Phil Spector combined. Irene received a Bachelor of Science degree from Saint John's University. Stills and Crosby had been friends since the early 1960s; Nash had first met Crosby in the mid-1960s when The Byrds toured the UK, and he renewed the friendship when The Hollies toured the US in mid-1968. [89] Although Yankovic could have made the parody anyway, claiming Fair Use, his record label, Volcano Entertainment, thought it best not to "go to war" with Atlantic. Atlantic Records has named Keith "Keefa" Parker Vice President of A&R. Based in Los Angeles, Parker most recently served as an executive producer on Roddy Ricch's breakthrough album, "Please. MusiCares provides a safety net of critical assistance for music people in times of need. "Mack the Knife" (1959) went to No. In late 1961 singer Solomon Burke arrived at Jerry Wexler's office unannounced. [20], Joe Morris, one of the label's earliest signings, scored a hit with his October 1950 song "Anytime, Anyplace, Anywhere", the first Atlantic record issued in 45rpm format, which the company began pressing in January 1951. Moving up the promo ranks, she was appointed Vice President of National Promotion in 1988 and Senior Vice President two years later. A few people had tagged him and I reached out to ask if he would be so kind to let me interview him. Kalodner built his reputation by signing acts that other labels had turned down, and perhaps the most significant example of his achievements in this area was his championing of the Anglo-American band Foreigner. The kids won't know where it is you've got to put extra drums on it." [3] [4] [80], Although Ertegun subsequently disputed Kalodner's account of the Genesis/Collins contract saga, he agreed that the loss of Gabriel was a big mistake, and his regret about his handling of the matter was only compounded by Gabriel's subsequent success with Geffen. WEA was also used as a label for distributing the company's artists outside North America. [90] The parody was released online for free on June 7. Sill recommended Spector to Leiber and Stoller, who assigned him to produce "Corrine, Corrina" by Ray Peterson and "Pretty Little Angel Eyes" by Curtis Lee.

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